In the words of Bruce Helander, former editor and publisher of Art Express Magazine and frequent contributor of collages to The New Yorker, Kenn has "the intuitive gift that all conductors of visual poetry must have -- to keep dissimilar parts spinning at the same time, and to fine tune them into an aesthetic balancing act with a provacative twist." It's no surprise that large corporations, small businesses and public institutions have found Kenn's vision appropriate for their site-specific projects.

Kenn's work has been shown extensively in museums, exhibitions and galleries. Today, he works from his very active studio in Providence, creating works of art for clients from around the country.